About
Started in 2018 with a handful of actors and one rule: only represent people we can actually serve. MAM, short for MovieLux Artist Management & Associates, is now a full-service London talent agency working across film and television, with acting, literary, and crew representation across the UK and international markets. It is a division of the MovieLux Media Group. The rule has not changed.
The agency
Every partner at this table has worked on a set. We have stood in production offices, in casting rooms, in edits, and behind cameras. That is the lens we bring to representation, whether you are an actor reading sides at six in the morning, a writer on a third draft, or a director trying to get a slate financed.
Film and television are two of the hardest industries in the world to build a career in. Visibility is part of it, but only part of it. What turns attention into bookings is judgement about fit, timing, and material, paired with a way of working that productions trust. Most of the hours we spend on your behalf live in that second part, and you will only ever see the result.
We are independent by choice and selective by design. We turn down more applications than we take on. A small, considered roster we can serve properly beats a large one we cannot, and the ratio is the whole point. Joining the MovieLux Media Group added reach (literary representation, international markets, the Crew Services Agency) without changing how we work with the people already on the roster. That was a condition of joining, not a consequence of it.
Part of MovieLux Media Group
MAM is a division of MovieLux Entertainment Holdings Ltd, a UK-based group focused on screen-industry talent representation. Being part of the group puts more disciplines under one roof, and every division is run by specialists who know their side of the industry from the inside.
Active
Representation for screen actors at every stage, from drama-school graduates with their first tape to established working actors with international credits. Built for film and television, in the UK and the markets they travel to.
Active
Representation for screenwriters, directors, and producers in scripted film and television. Career strategy, project development, and packaging sit alongside the deal-making. You get a partner on the work, not a conduit for offers.
Active
A dedicated agency for above-the-line and key heads of department. Cinematographers, production designers, editors, and senior screen craft. Built around how productions actually book crew, so the right names surface fast.
MAM is a trading division of MovieLux Entertainment Holdings Ltd, registered in England and Wales.
How we work
Visibility gets you seen. Judgement, professionalism, and knowing how productions run is what gets you hired. The first part you can buy. The second part is what you are hiring us for.
An agent’s job is judgement about fit, timing, materials, and direction, taken across a whole career. It is not routing traffic. It is not forwarding briefs. It is not mailing out headshots. The work behind a booking is the work that comes before it.
How productions actually run decides what lands on a page, on a reel, and in a meeting. We stay close enough to that to give you notes you can use on Monday morning.
We work with people over years. Not just around the moments that make the news. The quiet stretches are where careers actually get built.
Independent. Globally minded. Selective. A smaller roster is easier to serve properly than a big one. We would rather be the only agent you ever needed than one of many you cycled through.
A self-sort
We turn down more applications than we take on, and we would rather you saved yourself the write-up than received a polite no back from us. The two cards below are the cleanest way to decide whether a conversation with MAM is worth your time. Please read them.
Best for
Not the right fit
The team
Between them, the leadership carries one hundred and fifty plus credits, decades of producing, drama-school and method training, and current on-camera work. Every person here is still doing the thing they represent other people for. That is on purpose.
Fifteen-plus years in screen production with over 150 credits across feature film, television, documentary, commercials, and branded work.
Before the agency, Owen shot, produced, directed, and wrote across drama, documentary, sport, and commercial work. He came into the industry through Graphic Design at Epsom School of Art & Design (now University for the Creative Arts) and the London advertising studio Adam B Colour Services. On campaigns for Ogilvy & Mather, Saatchi & Saatchi, and McCann Erickson. A Royal Air Force College Cranwell graduate with a Queen’s Commission, he served six years as a Flight Lieutenant in command of 70 personnel. That discipline, and a working cinematographer’s instinct for what reads on camera, shapes how he represents talent today.
Seven years in film, six in representation. A performer’s view of how acting careers actually get built.
Trained as an actress on the Spotlight-accredited method acting course at the Brian Timoney Method Acting Studio in London. Jane came to representation through her own work on set. Which means every casting conversation, every self-tape note, and every long-arc career plan runs through someone who has stood on the other side of the camera.
Two decades producing across Bollywood features, British independent cinema, commercials, television, and music video.
Trained as an actor at UK drama schools before moving into production. Founded Thought Juice Films in 2005, beginning with corporate work and expanding into music videos, commercials, and television. Served as 1st AD on twelve features including On The Line and Exodus, managed the Disney · Star Wars · Lucasfilm UK toy advertising campaign, and was Production Manager on Chandu Champion. Producer on the micro-budget features Wolf Garden and The Alice Paradox. Her award-winning short films stream on Amazon Prime.
A professional actor since thirteen. A working writer-director with multiple best-director, best-feature, and best-script wins.
East London, classically trained at Academy Drama School with screen acting under Director Mark Normandy, plus Technical Theatre at Hoxton Hall (sound, lighting, stage management). Continued at Raindance in directing, directing actors, and film & TV producing. Recent on-camera credits include El Cucuy, Pixi Dust, Voyeur, Escape, the lead in Caught In-Between, and Reza in the Sky Max pilot Football Fantasy.
Registered office
MovieLux Artist Management & Associates
5th Floor, 167–169 Great Portland Street
London W1W 5PF · United Kingdom
Get in touch
Every application is read personally. Tell us who you are, what you do, and what you want more of. That is almost always enough for us to tell whether a conversation is worth having.
